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Our time is out of joint (new)

Print Edition - Moving in Crip Queer Temporalities (new)

Workshop - Moving in Crip Queer Temporalities (soon)

Aspect Change and Cartography - What are the measurements of a lie? (soon)

Crip <time - a narrative-lecture

CRIP QUEER AID
Part II
Part I

How to Queer a Collection? (soon)
Dose Magazine, n.°5

Constellations and Gaps
/Bienal de Fotografia de Vila Franca de Xira - BF20
︎︎︎ / Remontage
On Constellations
///// How to take care of marginalized stories?
︎︎︎ / Diagram
////On Constellations: 
Research Publication
 ///Reading through the Gaps
//How to tell the story of a gap?
/Cabinet of Constellations

Study of Showcases:
On tales and territory/Fundación ENAIRE Residency Award

JustMad Residency
/On Territories and fallacies
//Stone vs. Stone

Wander_Lands: Studio Session I  with Ana Teles

Temerate
Webcam Expedition series
Atlas of an alternative land
Disappointment Island
Grooves
After L. C.
Ball's Pyramid

Tarmacadame I & II
Temerate I
ARENA IV

Täler

ARENA
ARENA I & II
The other valley
Evasion
Atlas /// Smultronstället
Delta
Battlefields
Avernus
Aftermath
...
Fence
Arena I - Colonial remains

Smultronstället
ATLAS Smultronstället
Ground
Where Wild Things Grow


early work
Study on erasure
Cartas sem Coragem I & II
Take me there once again


///

JustMad Residency

Genalguacil - Spain


Tutorial guidance by Asier Mendizabal

Artists: Ana Linhares; Azahara Cerezo; Eloy Arribas; Hernâni Reis Baptista


Landscape
 Performative approach to space
 References to Romantic Painting
 Solitude


Stones
 Fiction and landscape

Surveillance images
 Google Maps






Performance exercises - Vimeo link


During the residency program, the work developed was focused on perceiving the surrounding area, it’s geographic position and characteristics of the territory.
The village showed signs of desertification and isolation alongside with nature’s presence and magnitude.

Through the reading of R. Callois in ‘The Writing of Stones’, my interests turned mostly to the interpretation of stones commonly found in the area, a kind of Peridodite.

My work gathered performative approaches to the landscape, sound recordings, image experimentation and manipulation, exploration of new media and surveillance, also the capacity of working and shifting information. Working with possible fictions.
I consider that I am quite drawn to image and its intrinsic potential, the possibility of finding fictions and constructing narratives. 



                            

                        



                                                                                                                                                                           




















                                           
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